I mean it does have an aural subtext that is intimate and personal (which is why it worked so well in Platoon) but its major theme is epic.This film is not epic, it’s quirky and clever but mostly its personal. The music should have followed that line of themes. So that pretty much ruined any chance of me Loving it.Other than that complaint, it was good. It reminded me a lot of Godard, and I really enjoyed how different it was from other Danish films we’ve seen lately. It didn’t follow the Dogme Manifesto but it’s not a Zentropa film – not all Danish films are!! Speaking of which, I am not sure I will love the Zentropa stuff after they were bought by Nordisk. I suppose it was inevitable, but really how could something created by the maniac von Trier end up moving towards commercialist art forms.